We are timber framers. We generally work in a warm and dry workshop with a more or less flat floor, more or less square and straight timber, interpreting more or less decipherable frame drawings that have been prepared in autocad by a more or less qualified frame designer, building more or less recognizable traditional buildings with walls and a roof.
We are definitely not sculptors. Oh no.
So, imagine our surprise when Ivan and Heather Morison of Studio Morison contacted us to see if we were interested in building a large roundwood sculpture that they had designed and which had been commissioned for a new amenity space near Cambridge.
How large? What? Where? Why?
Our curiosity got the better of us and we made the mistake of taking a trip to the Morison workshop in nearby Weobley to meet Ivan and Heather to talk things through. We looked at their plasticine scale model, inspected the debarked chestnut logs coiled and stacked expectantly outside, scratched our heads and ended up feeling excited by the whole idea.The bait had been set, and before we knew it, we had shaken hands and agreed to fabricate the “Bronze House” – it even had a name…
This was of course the key question that now started to occupy our minds. Night and day. Thinking about constructing a 9m tall structure out of seriously wonky roundwood ended up being quite stressful but with the help of Greg Cohen, the responsible structural engineer, we came up with what felt like a suitable theoretical jointing method. Now we just had to put it into practice.
With the 4 tripods now jointed on the ground, it was time to think about erecting them in the yard so we could continue working on the connecting timbers. We booked a crane, 2 telehandlers and a cherrypicker and prayed for a calm clear day, not always a given at the beginning of November…. We got lucky, and were able to successfully assemble the tripods in the air, taking care to brace the feet with 6″ x 2″ timbers to avoid stressing the joints. The tripods were then lifted independently and repositioned relative to each other. I’ve got no idea what the neighbours thought we might have been up to….. With the fundamentals of the structure in place, we could now focus on jointing the upper connecting pieces in place. Everything so far had taken place with the security of the earth beneath our feet, but now we had to step even further outside of our comfort zone with scribing and jointing happening 30 ft up in the air. Painstaking and dangerous work for sure, but slowly, piece by piece the sculpture took shape and 2 weeks ago, we were able to show off our work with an open viewing attended by over 80 interested and inquisitive spectators.
UPDATE – May 2017
The Bronze House – raised!
Last week we went to Cambridge to raise the sculpture which we built for Heather and Ivan Morison. The chestnut timbers had been scorched by the Morisons with a giant blow torch, then tarred and finally rubbed down by hand with a wire brush. The large-scale public sculpture was raised on Hobson’s Square, Trumpington in Cambridge. It sits at the centre of the square referencing the Bronze Age archeology found on the site.Uncategorized. Sin Comentarios
If you're considering an oak framed building (or larch, or douglas fir), let's talk. We'll gladly put together an outline quote (completely free, with no strings attached). And we need very little information from you to do so.
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